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In our society, one church may conduct worship in a
highly structured, formal fashion with prescribed liturgies, ritual or
ceremony. On the other hand, another church may worship very informally,
with little structure, spontaneous expressions of praise to God, lively,
hand clapping music or even manifestations of spiritual gifts. Such
differences are largely a matter of whether a church follows post apostolic
traditions handed down through the historic church, or subscribes to various
conventions of reform which have sought to return to more authentic, New
Testament patterns.
Worship is the fundamental objective of a church
service, whose basic idea is simply stated as "worthship," the act of
ascribing a value of high worth to something. Worship is the esteemed value
in one's heart toward God, with honor and reverence expressed through acts
of devotion, obedience and service. In the broad sense, worship can be
displayed to God through such things as attending church, reading scripture,
singing hymns, giving tithes and offerings, prayer, public testimonies of
thanksgiving, receiving communion, offering oral praise, clapping or lifting
hands. But in the strictest sense, worship is pure adoration, lifting up the
redeemed spirit toward God in contemplation of His holy perfection.¹ "God is
a Spirit; and they that worship Him must worship Him in Spirit and in truth"
(John 4:24).
In the beginning of the church, it is believed that
early Christian worship was a continuation of the traditional Jewish order,
combined with the Apostles' teachings and fervor of the Holy Spirit.
According to scripture, the services consisted of: Preaching or Exhortation
(Acts 20:7), Reading the Scriptures (Acts 2:42, 17:2,11), Personal and
Corporate Prayer (Acts 2:42, 4:31, 12:5, 20:36), Singing (Acts 16:25, Eph.
5:19, Col. 3:16), Water Baptism (Acts 2:41), Communion (Acts 2:42, 1 Cor.
11:18-34), Stewardship (1 Cor. 16:2), and Charismatic Gifts (1 Cor. 14:26).
Many of these observances were described of a typical
Sunday service in the year A.D. 140, by Justin Martyr: "On the Lord's Day, a
meeting of all, who live in the cities and villages, is held, and a section
from the Memoirs of the Apostles (the Gospels) and the writings of the
Prophets (the Old Testament) is read, as long as the time permits. When the
reader has finished, the president, in a discourse, gives an exhortation to
the imitation of these noble things. After this we all rise in common
prayer. At the close of the prayer, as we have before described, bread and
wine with water are brought. The president offers prayer and thanks for
them, according to the power given him, and the congregation responds the
Amen. Then the consecrated elements are distributed to each one, and
partaken, and are carried by the deacons to the houses of the absent. The
wealthy and the willing then give contributions according to their free
will, and this collection is deposited with the president, who therewith
supplies orphans and widows, poor and needy, prisoners and strangers, and
takes care of all who are in want."² (Songs were not mentioned here, but
were elsewhere in his writings — Charismatic gifts are mentioned by Iraneus
in 150).
Both the scriptures and later historical writings
suggest that gatherings of early Christian worship were organized with some
measure of liturgy (formal order). But the book of Acts shows that the
believers also possessed a spontaneous freedom of worship, not confined to
formality or structure. There was remarkable intimacy with God, with an
inclination to worship God any time, any place. For example, while Paul and
Silas were jailed in Philippi, in the middle of the night, they were heard
throughout the prison, singing and worshiping the Lord. They had no song
books, no worship leader, nor padded pews. Their feet were fastened in
stocks, and were likely in pain from the earlier beating — but in the
unlighted, stench-filled dungeon, the sounds of their spontaneous, heartfelt
praise were heard. "But at midnight Paul and Silas were praying and singing
hymns to God, and the prisoners were listening to them" (Acts 16:25).
In the New Testament church, oral expressions of
giving thanks and praise to God were never intended to be restricted to a
formal ritual — they were meant to be personal, continual and spontaneous.
"Therefore by Him let us continually offer the sacrifice of praise to God,
that is, the fruit of our lips, giving thanks to His name" (Heb. 13:15). The
services were not confined to rigid structure, but there was sensitivity to
the promptings of the Holy Spirit who might redirect the order on the spur
of the moment (Acts 13:2). And unlike today's well-polished, twenty minute
sermons, the preaching was extemporaneous and the length of services were
flexible. "Now on the first day of the week, when the disciples came
together to break bread, Paul, ready to depart the next day, spoke to them
and continued his message until midnight" (Acts 20:7).
Furthermore, another unique characteristic of the
early church was that its ministry was not confined to clergymen. The
meetings were mainly in homes, and the laity were not mere spectators — all
were participants to what was happening. They were "...teaching and
admonishing one another in psalms and hymns and spiritual songs, singing
with grace in their hearts to the Lord" (Col. 3:16). James even exhorted the
believers to confess their trespasses to each other and to pray for one
another (James 5:16). The trend of whole-body ministry apparently continued
through later centuries, as one of the third-century church fathers,
Tertullian, described his church services: "In our Christian meetings we
have plenty of songs, verses, sentences and proverbs. After hand-washing and
bringing in the lights, each Christian is asked to stand forth and sing, as
best he can, a hymn to God, either of his own composing, or one from the
Holy Scriptures."²
The original New Testament form of worship is the
format that every modern church should seek to emulate. However, it seems to
be a great contrast to today's conventional service which is sometimes more
comparable to the setting of a "theater." The platform is viewed as the
"stage." The ministers on the stage are the "performers." The congregation
is the "audience" — spectators to the performance on the stage. The order of
service or liturgy, is the formal "script" which directs the performance.
These concepts and other perfunctory trends of worship
evolved throughout a millennium of formalism that first began to emerge in
the fourth century. For over three hundred years, the church had structure
and order (1 Cor. 14:40), combined with a liberty that fostered body
participation and spontaneity to the Holy Spirit. But now its focus would
shift toward a formal replication of ceremony, ritual and symbolic icons,
largely from the influence of the newly converted Emperor of Rome,
Constantine (A.D. 312), who sought to integrate Christianity with the
grandiose paradigms of the empire. It was during this era, that the first
cathedrals for Christian worship were constructed and prescribed liturgies
were imposed upon the churches. Today, liturgical churches such as the Roman
Catholic church, still subscribe to such formalistic views of worship.
The progression of formalism, liturgy, and ritual
continued for over a thousand years under the two formal Christian
institutions, the Roman Catholic and Eastern Orthodox churches. But the era
of reformation in the 16th century brought reformed concepts to worship. Two
of the principal reformers, Martin Luther and John Calvin, made significant
contributions that would influence liturgical thought for many generations.
Luther's liturgical reform was guided by the principle that if the
scriptures did not expressly reject a particular practice, the church was
free to keep it. Consequently, Lutheran worship retained much of the
ceremonial practice of Catholic worship. Calvin however, argued that only
practices explicitly taught in Scripture could be used in worship. For this
reason, churches influenced by Calvin have been less inclined to restore
pre-Reformation practices of worship perceived as unbiblical or Catholic.³
The famed spiritual awakenings of the 18th and 19th
centuries brought about further reforms to worship, developed in the revival
movements of the American frontier. Many leaders and groups were
instrumental in integrating these influences into the local churches. One
such key figure was the legendary evangelist of the early 19th century,
Charles Finney. When Finney settled down to a pastorate in the mid 1830's,
the methods used in his revival campaigns became the basis for a revised
approach to liturgy (called the new measures) which increasingly became
adapted by churches on the eastern seaboard.
Finney viewed evangelism as the primary focus in
church life, and integrated the concepts of the camp meeting into Sunday
worship. He tried to do away with what he described as "dead orthodoxy" —
prepared and lengthy prayers, written sermons, ominous psalm-singing — in
favor of sprightly songs directed to the needs of the sinner, emotionally
stirring sermons designed to promote repentant response on the part of the
souls for the lost. The focus and content of sermons changed to imitate the
revival pattern as well. With conversion rather than corporate worship as
the focus, the sermon became the most direct means of persuading the
unconverted in the congregation to give their lives to Christ. Altar calls,
previously unheard of in a worship service, became frequent elements of a
standard service. This "revivalistic" approach to worship continued as the
dominant tradition of free churches and is today the general order within
the fundamentalist and evangelical churches.³
In the twentieth century, attitudes of worship were
again greatly influenced by spiritual awakenings. The Pentecostal movement
of the early 1900's, and the Charismatic renewal of the 1960's, both
emphasized the operation of spiritual gifts and a return to New Testament
practices of worship freedom. The influence of these movements upon
celebrated ministers, Gospel music artists, and media personalities,
combined with a widespread hunger for spiritual renewal, effectuated the
birth of what became called the "praise and worship" movement. This
describes a growing, popular worship style that draws on contemporary
choruses, usually in a flowing or connected sequence, and often features the
lifting of hands in praise, ministry through the laying on of hands, and an
inviting and informal worship climate.³ More than all other liturgical
reforms, these more recent renewals have brought worshipers closer to the
authentic New Testament patterns of worship.
¹ Baker's Dictionary of Theology |